Saturday, 16 January 2021

Earworms and Earaches 2

Here's what I've been listening to this week a selection of music from my somewhat dubious collection - it's your job to work out which is which! 


I hope you enjoyed the playlist last week you'll find this week's under the list of music I've played.


Jackson 5 - Greatest Hits (LP)

Various - The Best Of The Rosko Show (CD)

Various - The London American Story 1961 (CD)

Nina & Frederick - Little Boxes and Other Favourites (LP)

Rolling Stones - Big Hits (High Tide and Green Grass) (US) (CD)

Thompson Twins - Quick Step & Side Kick (LP)

Big Ben Hawaiian Band - Blue Hawaiian Skies (LP)

Slade -  In Flame (LP)

VA - Back On The Road (CD)

The Beatles - Help! (LP)

The New World Show Orchestra & Mike Sammes Singers - Ivor Novello, The Dancin Years and Kings Rhapsody (LP)

JD McPherson - Signs & Signifiers (CD)

Here's a selsction from the playlist - have a listen and decide which, if any is an Earworm or an Earache!



Thursday, 14 January 2021

James' Top 10s - Classic TV Adverts

 I don't know about you but I'm sick to the back teeth of begging adverts. There's one for every cause these days, all trying to get you to part with £3, £5 or more a month.

And do you know what's annoying? The fact that before any charity gets any money from the adverts, the ad men get paid first. And it's not just a small amount.

I wasn't surprised to find out that it takes pretty close to 80% of an advert's income just to pay the people who made the ad and that TV company that shows the advert.

So much of your money never makes it to the charity you're donating to,

How I long for the days when an advert just tried to flog you a product. And in an entertaining way.

This week's Top 10 is in no particular order because that were all great - in fact, I could probably easily do a Top 100.

Let's take a little wander back through time.

10. The Milky Bar Kid

If you can't see the video, click here

9. Cadbury's Dairy Milk (The Eyebrow Dance)

If you can't see the video, click here

8 Um Bongo
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7 R White's Lemonade
If you can't see the video, click here

6 Hamlet Cigars (Photobooth)

If you can't see the video, click here

5 Heineken (Majorca)
If you can't see the video, click here

4 Smash Mashed Potato
If you can't see the video, click here

3 Shake & Vac
If you can't see the video, click here

2 A Finger of Fudge
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1PG Tips (Mr Shifter)
If you can't see the video, click here

As I said earlier, 10 in no particular order, I could have chosen so many more, but the question is, what are your favourite adverts?

Let me know and I'll revisit the subject another time.














Tuesday, 12 January 2021

It was 12 years ago today...

In March of 1976, a book was published that was to change my life 33 years later. In those intervening years, I’d had a yearning to do it, but the opportunity didn’t arise.

The book: Emperor Rosko’s DJ Book.

As you know, I’ve loved music all my life and by the time this book came out, I’d accumulated a record collection of at least 3-4000 and I was only 15.

I’d listened to the radio and like so many, I’d recorded the chart countdown on a regular basis. After all, in those days, unless a visit to the record shop happened, this was the only way you were going to get to have the music. No downloading in those distant days!

But where I was probably different from the other teens recording the records each week, I wasn’t in a rush to edit out the presenter’s words.

I loved the DJs. I couldn’t think of a better way to earn money. To go into a studio and play all the hits sounded ideal to me.

In the book, Emperor Rosko also talked about how to set up a disco, how to organise the records in order for you to find specific records in short periods of time. In fact, he covered everything.

With us having an arcade and a bingo that was open every evening, there was no way Dad was going to let me become a superstar DJ! So it was to be one of those things that I suppose I put into the ‘bucket list’ in my mind.

I didn’t realise at the time that 1976 was to be our last at Burnham in the arcade. By the next summer, we were in Weymouth with side stuff in my uncle’s Amusement Park.

But 1977 was to be a turning point for me. My uncle used to have a yard in Charlestown, just outside  Weymouth and that’s where we had our trailer and were living. It was right next door to Charlestown Motors, and just behind that was a nightclub called ‘Stirrups.’

I didn’t discover it was there until Easter time that year. All this time, I was still spending all my money on records. I was buying Blues and Soul magazine and buying many of the records from their charts inside.

We closed at the Park at 10 o’clock and once I found out about the club, I wanted to go but Mum said I wasn’t old enough so at first, going was out.

At the time, my Brother was also in Weymouth and he helped me convince my Mum to let me go to the club and after a while she let me go.

The club used to get a lot of foreign students in and so it was always busy. The DJ played such great music, I kept gravitating toward him, asking if he needed a drink, chatting to him and eventually, being allowed into the DJ booth and even being able to flick through his records.

That year was really when I got the dance music bug properly. That summer I was hearing songs I’d never heard before, Fat Larry’s Band’s ‘Center City,’ CJ & Co’s ‘Devil’s Gun,’ Eddie Henderson’s ‘Say You Will,’ The Philadelphia International All-Stars, ‘Let’s Clean Up The Ghetto’ and Dennis Coffee’s ‘Free Spirit’ amongst so many other great records.

12” singles were starting to arrive on the Dorset coast and the first one I bought was T Connection’s ‘Do What You Wanna Do.

Within week’s I was getting the DJ to allow me to cover for him for a few songs while he took a break and by the end of the Summer, I was going in there and doing a couple of hours each night.

It was stunning, being 17 and playing cracking records to packed floors. I was totally in my element.

But it wasn’t to last because, by the end of October, we were on the move again, this time to Farnborough for the Winter.

Fast forward to 2008.

I’m DJing full-time with my own disco. I’ve built a decent reputation in Weymouth and am getting work all over Dorset with the occasional booking further afield, as far away as Peterborough and often around London.

I liked to keep in touch with past clients and used to send out a monthly newsletter detailing what the Disco was up to, talking about how I’d updated things, adding a video screen and such like, things to keep me in people’s minds.

My thinking was that if I did a good job, the people who’d booked me would recommend me to others and it was working well.

I’d stopped listening to UK radio years earlier because to my mind it had become boring. All the presenters sounded the same, the music wasn’t as wide-ranging as it had used to be. It was dull.

It’s October. One night I’m sitting in front of my computer surfing the net as you do, looking for American radio stations when I started coming across these things called podcasts.

I found one in Micronesia in which the presenter played Latin music, I found one in America called ‘The Bachelor Pad’ which I really liked – he played cool, Rat-Pack style music and it was so different to what else I was hearing. I loved it.

And then I found this show in Canada. It was proper oldies-based, like the music on my Dad’s old reel to reel tapes. He played such a wide range of songs, I was hooked.

I hunted the shows out each week, and got in touch with the presenter, ‘Big Daddy’ Donald Roberts. What a presenter, he Presented his show with such panache, such style. A booming voice in a style that you don’t hear in the UK.

I started sending him requests, and as is the way with the internet, we started chatting. Don is an incredibly modest man. I gave him praise, he thanked me and changed the subject, talking about music once more.

He asked me what I did for a living and I told him I did Discos, and over a week or two, I noticed I was talking with him every night.

Now at this time, I was looking for another way of contacting my clients. The newsletter was fine, but to my mind, becoming ‘samey.’ I was looking for other ideas that might add a bit of pizzazz to my communication with them.

I didn’t realise it, but as Donald and I were chatting, I must have been enquiring about how he did a radio show and he was gracious enough to answer my numerous questions and eventually told me that I should do one myself, after all, I had all the equipment I needed already.

I mulled over the idea for a few days and decided that it maybe a way in which I can boost my profile to my clients.

The plan was that I’d put together a radio show that was an hour-long, featuring many of the songs that were popular whenever I did a disco. I’d play songs of all genres and across the years to give people an idea of the width of my collection.

My thinking was that it would show the versatility of what I was able to play at my disco.

I was pretty confident that there weren’t many DJs in Dorset who could compete with me music-wise.

I’d been converted my music over to mp3s since the early 2000s and had been DJing using my computer since 2006, so I already had over 20,000 different tracks available to play, and with my playout system being totally computer based, I could find any one of those songs in a matter of seconds.

This gave me an advantage over many DJs – in fact, I only knew of one other who was computer-based alongside me, and we often passed work to each other if we couldn’t do it ourselves.

And so on 12th January 2009, I did my very first radio show podcast, ‘People Hold On,’ which was sent out to clients instead of a newsletter.

I’ve not listened to it for a long time, but I do recall it making me cringe as it was so poor when I compared it to Don Robert’s professional production. But it was a start.

I did a show week by week to try and improve and started to post them on a website called Podomatic and I’d tell my friends that they could have a listen.

5-6 weeks into doing the shows, I was enjoying myself tremendously. Don was listening, giving me hints and tips to improve my technique and encouraging me all the time.

It was around this time, two showmen friends of mine, John Cogger and John Edwards said that I should start doing a show playing all the soul and disco records we’d loved in our Disco days of the late 70s and the early 80s.

And on 10th March 2009, Pure Grooves was born. An hour show comprising of hits such as Shalamar’s ‘There It Is,’ Brothers Johnson’s, ‘Stomp!’ and D Train’s ‘You’re The One For Me’ it was such fun to do.

I sent the show out to people who wanted to have a listen and they all said they liked it so I started to do a weekly one of that too. I was now doing two shows a week.

Soon, people started saying that I should try and get my shows on one of the new Internet Radio stations that were springing up and I sent a demo of the Pure Grooves show to a few stations, one of whom wanted to take it.

My first show had 7 listeners! I was elated that 7 people tuned in and listened. The next week, one of my listeners got in touch to make a request for a future show and she was a nurse in Germany! I was so excited. Just two shows in and I was an International radio presenter.

I remember thinking then about my book. I was 15 when I bought it, and I was now 48 and finally doing it.

However, I have to say that this was probably the start of the end of my marriage.

I was so happy, I was only interested in doing the radio shows. At the time, I was doing my discos and we still had fairground equipment that we were using for fetes, shows and fairs but I was rapidly losing interest in the fairground side of it.

I’d only restarted the fairground side of things to give my boys who’d been settled down since birth, a look at their heritage. I wanted them to learn about where we came from as a family and the work we had to do. I’d even come close to buying an adult ride and starting travelling full time to get them out and about with showmen but they weren’t too interested.

My eldest son was at college and my youngest was doing an apprenticeship at a local engineering firm and I realised I was trying to make them do what I wanted them to do which wasn’t fair.

Once I’d worked that out in my head, I was no longer interested in the fairground side of things and wanted to focus on the radio alongside my discos.

However, me being me, I dove in headfirst and worked my heart out, trying to learn more. I’d waited so long to do this. It had been waiting patiently for me to decide to have a go and now I was all in.

The owner of the station, after a couple of weeks, told me that she thought my show was too good for her station and that I should apply to another station, Morpher Radio, which was a dedicated soul station.

I sent a demo to the owner, Dave Marley and he got in touch with me to invite me to do a show, but it would need to be two hours long.

I wasn’t sure at first, but in the end, I decided to go for it, and on the 23rd of May, I did my debut show on Morpher Radio.

Within a few weeks, I was getting requests from the station's listeners and I was loving it. The station had its own chatroom and people from all over the world were in there chatting.

It was around this time that one of the listeners got in touch with me and asked me if I would be interested in interviewing Shakatak member Bill Sharpe, as he was a friend of hers.

Being new to the station as well as still new to doing radio, I thought it would be liberty-taking to do the Interview when there were others including the owner, who could do it so much better than I would be able to. And as the listener was already a station listener before I joined, I didn’t want to appear as if I was muscling my way in.

I decided to speak to someone about it. As well as that, I was new to this and didn’t have too much of an idea about how to go about promoting myself.

The station had someone who did promotion for it. I’d seen her in the chatroom but hadn’t spoken to her properly but maybe this was the time to call her and not only talk about this interview and whether I should offer it to the owner, but also ask her if she would be interested in promoting my shows. Her name on the chatroom was debzpromo.

I called her and during our first phone call, she told me she wasn’t really a promotions person, but she did try to get the station more coverage. She agreed with me that I should probably pass the interview over, which I did, and she then said that although she wouldn’t become my promotions person, she would give me any ideas she had. That was the start of my friendship with Debz Green.

I could spend the next two hours telling you about the play by play of my radio career, as well as how my marriage fell apart but I won’t.

For starters, I haven’t got all day and secondly, in regard to my marriage, that’s personal. I hurt a lot of people and I’m not about to talk about one of the most painful parts of my life.

Nor will I talk about my ongoing friendship with Debz and our getting together – suffice it to say, my marriage ended when I moved out in February 2010. The fact is, we drifted apart and I take the blame for that. I wanted to move away from Weymouth, I wanted to follow this route into radio, I wanted to pursue a different life as a soul DJ. My family were on a different road. It’s most definitely my fault for it ending the way it did. It can be said that I was selfish and I won’t argue with it. I wanted to take this opportunity. And I did.

Without going into a long play by play of the next few years, I ended up leaving Morpher Radio and striking out on my own applying to many stations in order to syndicate my Pure Grooves show amongst others I was developing.

In March 2010, by which time I was living in Longstanton, near Cambridge,  I received a phone call from one of the owners of Solar Radio, at the time, the best Soul Radio station in the UK.

Earlier in the year, I’d sent a demo to one of the Solar presenters, known as ‘Ginger Tony.’ I’d asked him if he wouldn’t mind listening to it and letting me know what areas I needed to improve and what I was doing OK. He said he’d be happy to and once he’d listened properly, he’d let me know what I needed to improve on.

When he phoned me back, he told me there was nothing wrong with my demo and that he’d passed it on to Tony Monson as he thought I might be a good fit for Solar. That hadn’t been the reason I’d sent him a demo. I wasn’t looking to be part of Solar as I didn’t think I was anywhere near close to being in their league. I just wanted some advice.

When Tony phoned me, he said he’d heard my show, liked it but didn’t have any gaps on the station and that down the road, he might call me and we could talk then if I was interested. To say I was, was an understatement.

Anyway, at the end of April, I received another phone call from Tony, telling me he’d been at Kiss FM’s 25th birthday party the night before and 2 different people he was acquainted within the business had mentioned my name and told him that he should get me on the station.

You could have knocked me down with a feather. ‘Johnny Nobody’ in radio being talked about.  And that was how I found my way on to Solar Radio which was an 18-month stay whilst I pursued my plan for syndication of my shows because, by that time, I’d developed some ideas for new shows and started them.

I’m going to jump forward to 2017 now, but before I do I just want to share some stats that I’m quite proud of.

Starting my radio career with 7 listeners, by the time I called it a day in September 2017, I developed a listenership in excess of 95 countries and territories around the world.

In China alone, I was getting in excess of 800,000 listeners to my weekly shows and getting over 25% of the listenership of the areas in which the show went out.  When you put that in perspective, that’s a quarter of an estimated 2 or 3 million people in a couple of towns and the adjoining main highway who were available to listen. Not only that, but I was told that 25% was more than the combined totals of the 3 competing station’s listeners.


And one night, after I started playing The Doors, ‘Light My Fire,’ the listeners to my show crashed the Chinese equivalent of Google trying to find it online to see if they could buy it.

There were three English speaking presenters on that station and my mentor in radio, ‘Big Daddy’ Donald Roberts (real name McEachern) was another, and was indeed the man responsible for getting me on that station.

I did a breakfast show in Spain on Power FM for 6 months which even got me asked to write a column in the local Lanzarote Grapevine magazine. You never know what comes from an idea.

I also owned and ran two online radio stations, Smile 101 and Rewind Central. I tried owning stations twice, but in the end, decided that being a station owner wasn’t for me. I have total respect for someone who takes on a radio station. It’s a huge task. Expensive to run and also a time-consuming role, that in the end I decided wasn’t what I wanted to be doing.

Not forgetting the 'Pure Grooves magazine that myself and Debz ran for just over a year until we realised how much hard work it was to put it together on a weekly basis.

I didn’t get into mainstream radio. I applied for a few positions but was told that although my presenting style was good, I needed to change my technique so that I fit the station's style.

I didn’t want to do that. I didn’t want to sound exactly like any other presenter on any other station in the country. I wanted to do my shows my way – and syndicating worked best for me.

I’ve had shows on stations all across Europe, many in small-town America, my shows are still being replayed even now in New Zealand and I guested on Don’s podcast for over 5 years.

In March 2017, after taking three months out of radio to recover from my kidney operation, I resumed the shows, but as soon as I started back, I realised that my enthusiasm had gone. It started to become a grind for me.

I carried on for three months but was no longer enjoying the research, the time spent choosing playlists, the preparation required to do the show and not enjoying doing the shows.

In June I decided that it was time to call it a day. I gave notice that I would be finishing in September and continued giving it my very best to the last show.

I’m so happy I had the chance, finally, to do something I’d longed to since I was a kid.

In the 8 years, I was doing shows, I did in excess of 1000. I met some fantastic people I’d never have met had I’d not done it.

I met people like Don who literally, gave me the support and encouragement from the start and continued with valuable advice along the way. Had it not been for him those amazing years would never have happened.

I accomplished a dream and had so much fun along the way.

You talk about turning points in your life.

Had I not bought that book as a 15-year-old, none of this might ever have happened. The childhood dream of having my own radio show may have withered alongside so many of my others.

And let’s not forget that at the end of the day, had I not bought that book, not one of those tenuous links may have happened and I’d have never have met Debz who I’ve been happy to be partners with having moved in together back in 2013.

So all in all, although I don’t miss it and I wouldn’t want to go back to it – it was great while it lasted and just goes to show you what can happen if you have a dream.

 

Monday, 11 January 2021

Music Of My Life 15

 

I heard this around the same time as I first heard the Carly Simon album in 1977 and instantly loved this album.

Even today it's my 2nd favourite album.
But it's more than that. When I hear it, it reminds me of my son Henry.
When he was little, when he went to bed, I used to lay on the bed with him and sing the song 'Wandering' as he went to sleep. And as he got older, I used to hear him singing the song 'Mexico' to himself when he was playing with his toys.
Lovely memories when I hear this album.

If video doesn't play , click here


If video doesn't play, click here

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Guilty Pleasures...stop saying it!

For ages, I’ve used the phrase ‘Guilty Pleasure’ whenever I’ve talked about something I like and I know it’s not cool and trendy. But recently, I’ve come to the conclusion that there’s no such thing.

You either like something or you don’t.

And when you choose to bracket your choice by saying it’s a ‘Guilty Pleasure,’ what you’re saying is that your overall taste isn’t as crap as you that particular thing you’re saying you like is.

But let’s get it straight, right here and right now!

What someone else thinks badly of your taste in anything is not your problem. It’s theirs.

After all, I’m pretty sure that there are things you don’t like that other people do. I’m sure you’ve heard someone else say that something is their ‘Guilty Pleasure.’ We all do it.

We’re all as bad as each other.

But do you realise how silly that is? If someone looks down on you because of your taste in something, surely they’re the one who needs to be more open-minded.

When we say a piece of music or a film is a Guilty Pleasure, what you’re really saying is, “I like it but please don’t judge me.”

I’ve come to the decision that no longer will I call anything a Guilty Pleasure. I think you should too stop too. It’s time to stand tall and proud!

We should have the courage of our convictions! And when saying so, we shouldn’t preface it with an apology for liking it. There’s no need to.

Let me give you some examples of the way I’ve made excuses for liking things.

Last year, I decided to buy the ‘Howard’s Way’ box set of DVDs. I only ever saw the first series of it when it was on the telly back in 1986 and for all it’s ‘ham’ acting, I really liked it and wanted to see the rest. In fact, had it the show been more polished, it probably wouldn’t have worked for me. The stories were fine, it was some of the actors who were a bit under-par, but for me, it was a must-watch.

And when I said last year that I was looking to buy it, people 'took the Mickey' and said what a crap series it was and how I was wasting my money.

“But it’s a Guilty Pleasure of mine,” I replied.

I also bought the set of Sunday Night At The LondonPalladium shows. They take me back to watching them with my parents as a child. I don’t care, I’m a nostalgic person, it’s my cup of tea. It doesn’t have to be anyone else's.

In the same way, I love Russ Conway’s plinky-plonky piano playing. It reminds me of being a little boy and it holds great memories for me. I like the tunes too but when I mention it to anyone, I always say that Russ Conway is a ‘Guilty Pleasure’ of mine. The truth is when I listen to his music, I don’t feel guilty, I feel happy!

Surely what we like as individuals is up to us? Just because someone else doesn’t like it doesn’t make us wrong and them right any more than if it were the other way around.

I love a Rom-Com. I enjoy them and they make me feel good. I’m not a lover of War films, James Bond or Jason Bourne type films. Halfway through them, I start to get bored. And those dark Batman films just leave me cold. But put Love Actually or Pretty Woman on, I’m as happy as Larry.

I can’t stand X-Factor, The Only Way Is Essex, Love Island or any of those kinds of telly programmes. I love Documentaries, doing up your house programmes and Strictly Come Dancing. And I don’t see why I have to apologise for it.

And neither should you. We’re all individuals. And my God, wouldn’t it be boring if we all liked the same thing?

You shouldn’t be surprised if you hear that I’m listening to, and loving Cheesy Music – Even, Rene & Renato’s, ‘Save Your Love’ makes me smile.

So I’ve decided, I’m no longer making any apologies to the Music Police for the kinds of music I like nor will I apologise to the film critics for my taste.

I love the music I was brought up with now, even though I didn’t like some of it then. My Dad’s brass band and easy listening music used to do my head in – now I love it and have been hunting down all his old albums. In fact, over the last year or so I’ve bought box sets of Ray Conniff and Edmundo Ros amongst others.

I make no apologies for not wanting to like new music. Why should I? 90% of it I don’t like – I’m not in its demographic to start off with. So why bother trying to pretend I’m cool and trendy for liking it when I don’t.

And I’ll make no apologies for liking some novelty hit from the early 60s. Joe Brown’s, ‘Jellied Eels’ will give me more pleasure than any opus from Led Zeppelin ever will. I'm not knocking them, I just like what I like,

Abba make me cringe. Programmes like ‘Shameless’ or Who wants to Be A Millionairewill never be on my watch list but that doesn’t mean I’m some kind of superior being for not liking them. At the same time, I like The Spice Girls, Michael Portillo’s Railway journey shows and ‘Lovejoy’.

When it comes down to it, it’s all down to choice and I don't feel I should have to justify what I like to anyone. And neither should you.

We all love stuff that other people think is rubbish. But it’s my rubbish. You don’t have to like it.

I like what I like and I’m not going to hide it away because of what others may think. It’s time to bring some of the great music, films, TV shows and whatever else I like out of the closet.

It’s time to parade our unique likes, and to Hell with those who look down on us.

Let 2021 be the year when we finally say goodbye to the term ‘Guilty Pleasure’ and let’s finally stand tall with our heads held high, behind what we, as individuals like.

As I sing to myself the classic, “Oh your red scarf matches your eyes...”

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Saturday, 9 January 2021

Earworms and Earaches 1

This is a new addition to the newsletter - the music I've listened to in the last week whilst I've been in the office doing stuff.

When I first started doing the blog, I talked about doing an 'Earache sessions' blog...but as I never really got around to it,  I thought I'd expand it and let you decide what you thought were Earaches (awful) and what were Earworms (ones you'll be singing for days).

What you may think are Earworms may be considered to be an Earache to someone else. You'll have to make up your own mind.

As well as that I'm going to leave a link to a Youtube compilation playlist taken from the music I've played during the week All you'll need to do is click the link and it will start playing,

This is what I've played this week.

If you know me, you'll know my music taste is eclectic, so you never know what will be on my playlist each week.

Here's what I've listened to this week:

Dean Friedman - Well Well Said The Rocking Chair (LP)

Lighthouse Family - Ocean Drive (CD)

Edmundo Ros - Latin Boss, The Centenary Collection (CD)

Jose Feliciano - Feliciano! (LP)

Basia - Time & Tide (LP)

Boomtown Rats - Tonic For The Troops (LP)

Glen Campbell - I Wanna Live (LP)

The Dooleys - The Best Of (LP)

Herb Alpert & His Tijuana Brass - Greatest Hits (LP)

Here's the link to the playlist


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Friday, 8 January 2021

The Waltons, should I?

 I think I must have been one of the few people who never saw an episode of ‘The Waltons.’

I kind of knew what it was about. I knew about the “Goodnight John-Boy...” endings because so many people used to say about them.

I know it ran for almost 10 years but only because today, I watched a documentary about the programme. It ran for over 200 episodes.

The main reason I don’t think I watched it was because my parents didn’t. I was 12 when it started and for most of the year, we were open in the evenings with our arcade and so it wasn’t something we watched when it started.

And I assume that because we didn’t see it at the beginning, my parents never bothered with it afterwards. It wasn’t like today when you could catch up. I just figure it wasn’t for them.

And as the years go by, it never really interested me because from what I heard about it, it was a bit schmaltzy, and as I teen, I didn’t want to appear as someone who’d watch something like that.

It was going to be Kojack, Starsky and Hutch or Hawaii  5-0, something that a teenage boy was going to find exciting.

And that didn’t change in later years either because whenever I heard people say that it was being repeated on the telly, I just laughed and said there’s no way I be watching that!

I was the same way about shows like ‘Little House On The Prairie.’ As much as I liked ‘Little Joe’ on ‘Bonanza,’ I wasn’t watching that.

And as you may be able to tell, I spent the next years avoiding any program like that if it appeared on our screens, nostalgic twaddle that it was.

But it’s funny how time changes us.

Last year during the lockdown, we were looking talking about things we used to watch when we were younger and Debz started telling me about ‘Anne Of Green Gables’ and how much she’d liked it.

I was online looking to buy some DVDs to watch. I like collect box sets. I’m not one to want to buy or rent and stream series. I’d rather have the physical DVDs. After all, if the place where you stream them from drops the programmes or films, even if you’ve paid for them, they’re gone.

Besides that, a lot of the streaming sites don’t have the things I want to see – or they’re as much to stream as I could buy the DVDs for. I digress.

Anyway, I looked for ‘Anne Of Green Gables’ as I thought Debz would like to see it again. I found it, purchased it and a few days later, it arrived.

I knew Debz was going to love it, but I was expecting to be bored out of my brains watching it.

I couldn’t have been more wrong! It turns out that I quite like a schmaltzy, wholesome programme. I didn’t realise that there’s something nice about a feel-good innocent hour of viewing.

I found myself looking forward to seeing the next episode. And by the end of the series, I was hooked.

I then went looking for the follow up to ‘Anne Of Green Gables’ and came across ‘Anne of Avonlea,’ which I enjoyed as well.

Either, these were much better than I imagined they would be, or I’ve changed as a person as I’ve got older. It’s probably a combination of both because I can remember a time I wouldn’t have watched if you’d paid me.

And then via Netflix, we discovered ‘Anne With An E.’ Once again another excellent series.

And that brings us to where I find myself today.

Yes I still love my cop shows, I still love a whodunit, I still like a good political drama but now I’ve fallen for these shows that I sometimes watch and find myself gulping and wiping a tear away as I get engrossed.

I’m now thinking that perhaps if I can find the DVDs, it’s time to find out about ‘The Waltons.’

In these times we find ourselves living in, watched some innocent, heart-warming and uplifting telly isn’t such a bad thing.

I’ve found that now I’m getting a taste for shows like this and ‘The Darling Buds Of May.

I’m not sure it’s going my ‘street cred’ any good though!

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